Øyafestivalen 2026 @ Øyafestivalen
Øyafestivalen, Tøyenparken, 0563 Oslo Directions
Wed 12.08.2026 00:00
Øyafestivalen 2026 at Øyafestivalen at 2026-08-12
Performers
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The CureThe Cure are a band formed in 1976 hailing from Crawley, West Sussex, in the United Kingdom. Fronted by lead singer and songwriter Robert Smith, they came from the post-punk scene of the early 80’s to become one of the biggest and most influential bands in modern rock.
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Wilcohttp://wilcoworld.net
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Nick Cave & the Bad Seeds
Wild God the new album from Nick Cave & The Bad Seeds will be released on 30 August.
Stream Wild God the single now.
www.nickcave.com
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Sombr
listen to my latest single "through it all" out on all platforms now!
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Mogwai
Mogwai formed in 1995 in Glasgow. The band consists of Stuart Braithwaite (guitar, vocals), Barry Burns (guitar, piano, synthesizer, vocals), Dominic Aitchison (bass guitar) and Martin Bulloch (drums). Since 1997, the band have released ten studio albums, with their most recent, 2021’s As The Love Continues, being a commercial and critical success, reaching number 1 on the Official UK Album Charts, amassing a Mercury Prize nomination and winning the Scottish Album of the Year award.
The band have also contributed to and written scores for projects with Amazon Prime and Apple TV+. Earlier this year, it was announced that Blazing Griffin, Adler Entertainment, Rock Action Records and Screen Scotland had completed post-production of Mogwai: If The Stars Had A Sound, a first documentary about the band, directed by longtime collaborator Antony Crook. The documentary had its World Premiere at South by Southwest (SXSW) in Austin, Texas, in March 2024 and is currently being shown at film festivals across the world.
Mogwai have recently been in the studio recording new music.
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Underworld
Underworld – the British duo Karl Hyde and Rick Smith – have been one of the most pioneering and influential electronic acts in the world for more than twenty years.
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Ravyn Lenae
Ravyn Lenae makes dreamy, atmospheric alt-R&B. She arrived during the latter half of 2010s with a trio of EPs which touched on styles ranging from house to synth-funk, with 2018’s Crush EP and its lead single “Sticky” making the biggest splash. HYPNOS, her critically acclaimed debut full-length, was released in 2022 via Atlantic Records, with Steve Lacy, monte booker, and KAYTRANADA among its producers.
The Chicago-born songstress now embarks on a new chapter with the release of her sophomore studio album, Bird’s Eye. The album is executive produced by GRAMMY winning producer Dahi.
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DijonRA: Resident Advisor
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Amyl & The SniffersSince forming in Melbourne’s sticky pub-rock scene in 2016, Amyl and the Sniffers have become masters of balancing power and playfulness. With two critically acclaimed albums under their belt - 2019’s self-titled debut and 2021’s visceral ‘Comfort To Me’ - vocalist Amy Taylor, guitarist Declan Mehrtens, bassist Gus Romer and drummer Bryce Wilson have achieved something unique and remarkable. Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And it’s this attitude - bigger, brighter, smarter, sharper - that’s fuelling their third album, ‘Cartoon Darkness’. Recorded with producer Nick Launay at Foo Fighters’ 606 Studios in Los Angeles, on the same desk that captured Nirvana’s Nevermind and Fleetwood Mac’s Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffers’ most diverse album yet. It stretches from classic punk to the glammy strut of recent single ‘U Should Not Be Doing That’ to the stormy balladry of ‘Big Dreams’ and beyond. "Cartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesn’t even exist yet. A childlike darkness," says Amy Taylor. "I don’t want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun." -
Nick CaveAustralian singer and songwriter Nick Cave has proved to be one of the most enduring and influential talents to emerge from the post-punk era. In addition to being a remarkably consistent recording artist, his songs have been covered by everyone from Josh Groban, PJ Harvey, and Johnny Cash to Arctic Monkeys, Metallica, and Chelsea Wolfe, to name a few. However, his often dramatic, romantic, and/or harrowing tomes sound best on his own recordings. Accompanied by his ubiquitous backing band the Bad Seeds, Cave's style is inimitable as it ranges across a spectrum that includes noisy, clattering, but extremely musical rock -- equal parts mutant rockabilly, garage, indie, post-punk, and cabaret -- as well as striking romantic balladry and broken blues, sometimes all on the same recording (1986's Your Funeral, My Trial). Other early albums, in particular 1985's The Firstborn Is Dead, melded John Lee Hooker-esque stomp blues to unhinged, menacing post-punk. Later dates, including 1990's The Good Son, 1996's Murder Ballads, and 2013's Push the Sky Away tempered his ferocity in favor of moody soundscapes for his bent yet resonant storytelling. Still others, including 1997's The Boatman's Call, found him focusing his considerable talent on love songs, and 2019's Ghosteen was a minimalist but emotionally devastating meditation on grief and loss. Cave and his longtime colleague Warren Ellis (musical director for the Bad Seeds) are also award-winning film composers with more than a dozen scores to their credit, and they collaborated on 2021's sparse and atmospheric studio album Carnage. 2024's Wild God, with the Bad Seeds, returned to a more optimistic outlook. After goth pioneers the Birthday Party called it quits in 1983, singer/songwriter Nick Cave assembled the Bad Seeds, a post-punk supergroup featuring former Birthday Party guitarist Mick Harvey on drums, ex-Magazine bassist Barry Adamson, and Einstürzende Neubauten guitarist Blixa Bargeld. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Cave's gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, which also obsess over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walker's epic dark pop. Cave released his first album with the Bad Seeds, From Her to Eternity, in 1984, which contained a noteworthy cover of Elvis Presley's "In the Ghetto," foreshadowing much of Cave's style and subject matter on the follow-up The Firstborn Is Dead. Kicking Against the Pricks, an all-covers album, broke the band in England with the help of "The Singer," which hit number one on the U.K. independent charts. The album also strengthened Cave's reputation as an original interpreter and a vocal stylist of note. Following 1986's Your Funeral...My Trial, Cave took a two-year hiatus from recording -- partially to appear in Wim Wenders' 1987 film Wings of Desire -- and then returned with Tender Prey, which featured Cramps guitarist Kid Congo Powers and Cave's strongest vocal performance up to that point. Cave's productivity picked up immensely over the next two years after he kicked a heroin habit. He had two books (1988's King Ink, a collection of lyrics, plays, and prose, and 1989's And the Ass Saw the Angel, A novel) published; appeared in the 1989 Australian film Ghosts...Of the Civil Dead as a prisoner; recorded a soundtrack to the film with Harvey and Bargeld, and released 1990's The Good Son, his most relaxed, quiet album. Cave received his due as one of the leading figures in alternative rock when he was invited to perform on 1994's Lollapalooza tour to promote his Let Love In album. Early in 1996, he released Murder Ballads, a collection of songs about murder. Murder Ballads became Cave's most commercially successful album to date, and, with typical perversity, he followed it with the introspective and personal The Boatman's Call in early 1997. A spoken word release, Secret Life of the Love Song followed in 1999. Two years later, a rejuvenated Cave teamed up with the Bad Seeds once again for the piano-laden No More Shall We Part. Nocturama was released in 2003, and the double-album Abattoir Blues/The Lyre of Orpheus followed at the end of 2004. After touring in support of the album throughout 2005, Cave embarked on a new project called Grinderman with Bad Seeds members Warren Ellis, Martyn Casey, and Jim Sclavunos. The group's self-titled debut was released in 2007, the same year Cave was inducted into Australia's ARIA Hall of Fame. In 2008, Nick Cave & the Bad S